Tag Archives: tmag

A journey to freedom

After Friday’s visit to TMAG with Kramstable, I said I was going to go back to take in A Journey to Freedom more fully.

20180722 AJTF-21 edit

A Journey to Freedom

I often say I’m going to revisit something and never end up doing it but this time I felt I really had to. I don’t know if it was the lure of the virtual reality “Orbital vanitas” exhibit that I didn’t see on Friday because Kramstable was too young or whether I wanted to get more fully absorbed in the works by Jhafis Quintero and Ali Kazma in the Bond Store, but this time I went back and took my time.

I’m glad I did.

I went to the Bond Store first and was the only person there.

As I noted on Friday, the low ceilings of the basement gallery added to the feeling of being imprisoned. The ten videos by Jhafis Quintero were looping so I could hear different parts of them at different times as I was watching them. This time I watched all of them. I was especially moved by the video “All the way” which depicts a journey from prison to a hospital and is one of the only ways a prisoner could get to see the outside world.

20180722 AJTF-19 Bond Store edit

Bond Store

Being alone in here with these videos felt very creepy and, adding to this claustrophobic atmosphere, I could hear footsteps from the people in the gallery above me, as well as the music from Janet Biggs’ piece “Carpe Diem”.

I don’t know if this was deliberate, to be able to hear the strains of Pachelbel’s Canon alongside Jhafis Quintero’s pain at being incarcerated, but I found it very moving and it added a different perspective to the videos.

Janet Biggs’ piece, juxtapositioning a tethered eagle against an American football team, was interesting and the vision of the eagle was one of the most disturbing pieces for me. It clearly wanted to fly away.

The remainder of the exhibits were in the main museum building, which I had seen on Friday but this time I had the chance to take my time. I experienced the “Orbital vanitas” virtual reality exhibit, which was very cool but kids under 13 weren’t allowed to see it so we hadn’t done it on Friday. The artist, Shaun Gladwell, says, “You are placed inside an enormous human skull that is orbiting above the earth. The atmosphere reflects my current mood in both political and philosophical terms — which is very dark indeed.” The content wasn’t anything that I’d consider unsuitable for an under-13 year old so there must be some technical reason younger kids can’t see it.

I watched the 11-minute video “A Guard’s Story: at work inside our detention centres” by Sam Wallman, which is the story told by a former Serco employee at a detention centre. It sounded horrific.

“It is still nightfall” (C’est encore la nuit) by Mounir Fatmi was a series of photographs of the underground Qara Prison in Morocco. The photos were of the ground-level air vents that were the only source of light in the prison. It was disturbing to think that such a complex held thousands of slaves in the 18th century who were shackled and forced to work on building projects.

20180722 AJTF-40 Mounir Fatmi edit

It is still nightfall

Closer to home was the “Prison cell” exhibit by Jean-Marcel Pancin, which was a cell door from Risdon Prison mounted on a concrete slab the same dimensions as the original cells. Jean-Marcel Pancin has made other versions of this work in other places, and its aim is to “draw attention to injustice and suffering caused by confining people behind prison walls”.

20180722 AJTF-32 Jean-Michel Pancin edit

Prison cell

It was positioned alongside Sam Wallman’s wall of drawing, which included commentary on detention centres, convicts and prisoners, as well as the statistic that imprisonment rates have increased by 39 per cent in the last ten years. “Some people,” it says, “consider prisons holding cells for the poor.”

Ricky Maynard made his series of photos of Aboriginal men in prison, “No more than what you think” in response to the Royal Commission into Aboriginal Deaths in Custody, which noted, among other things, that Aboriginal people are 15 times more likely to be imprisoned than non-Aboriginal people. He says the photographs “carry messages of our survival, not only of man’s inhumanity to man, but a feeling of what it’s like to be born black”.

20180722 AJTF-30 Rachel Labastie edit

A journey to freedom by Rachel Labastie

It was very thought-provoking. The exhibits were moving and powerful and made me reflect on how fortunate I am to live where I do and not be in a situation where I’m likely to have my freedom taken from me. I’m glad to have taken the time to go back and revisit it.

20180722 AJTF-20 Robert Montgomery edit

What becomes of the broken-hearted by Robert Montgomery

The exhibition is open until 29 July so you still have a few days to see it. I highly recommend it.

Hanging out at TMAG

Today was the last day of the school holidays. Kramstable and I went to the Tasmanian Museum & Art Gallery (TMAG).

We started out in the Bond Store and looked at the Tasmanian displays. Kramstable pointed out the Tasmanian Native Hen, which he had done a project on at school recently.

20180720 TMAG 01 Native Hen copy

Tasmanian Native Hen

20180720 TMAG 09 Kramstable with the weights edit

Learning about weights and measures

I was especially taken by the exhibition that was there for Dark Mofo called A Journey to Freedom

A Journey to Freedom is a new contemporary art exhibition guest curated by Swiss curator Barbara Polla together with Olivier Varenne and Mary Knights.

A Journey to Freedom explores issues relating to incarceration from a range of different cultural and historical perspectives: from Tasmania’s dark convict past; to ‘doing time’ in the notorious “Pink Palace” Risdon Prison; and the experience of refugees held in camps and detention centres in Australia and beyond.

The exhibition brings together new and recent works by contemporary national and international artists working across installation, sculpture, video, photography and virtual reality with works to be presented across the museum’s temporary galleries and transitional spaces.

International artists include Janet Biggs, Nicolas Daubanes, Mounir Fatmi, Joana Hadjithomas and Khalil Joreige, Ali Kazma, Rachel Labastie, Robert Montgomery, Jean-Michel Pancin and Jhafis Quintero. Australian artists include Shaun Gladwell, Sam Wallman and well-known Tasmanian Ricky Maynard.

Shaun Gladwell’s virtual reality work Orbital vanitas will be presented in TMAG’s Central Gallery, providing visitors with an immersive experience of being placed inside an enormous skull that is orbiting the earth.

A Journey to Freedom is presented by Dark Mofo, Mona and the Tasmanian Museum and Art Gallery (TMAG).

20180720 TMAG 17 A Journey to Freedom edit

A Journey to Freedom

The exhibits are scattered around TMAG and we didn’t see all of it but what I did see was thought-provoking and interesting.

I found the work by Ali Kazma on the structures in which people are incarcerated interesting and powerful. “Although nobody appears in the footage, the bleak brutality of the architecture and the constraints placed on the freedom of inmates is evident.”

There was also work by Jhafis Quintero, who had been in prison for ten years and had discovered art as a way of channelling the energy that had led him to crime. His exhibit was ten videos, each representing a year in prison. This was in the basement of the Bond Store building, which is dark with a low roof and has a very claustrophobic atmosphere that matched these two exhibits perfectly.

One work that was particularly interesting was “Prohibition” by Nicolas Daubanes, which is a collection of hundreds of litres of “hooch” he has brewed using prison recipes, using materials readily available in prison—plastic bottles, water, fruit, condoms and yeast. I wonder what MONA will do with this after the exhibition is over.

20180720 TMAG 15 Prohibition 2 edit

Prohibition

Nicolas Daubanes’ iron filing picture of the Isle of the Dead at Port Arthur was also intriguing, despite the smeary hand mark that an over-enthusiastic visitor had, unfortunately, made on it. The TMAG staff member on duty said it had been interesting to watch the picture being made, but he wasn’t sure what would happen to it after the exhibit finishes.

We couldn’t see the virtual reality exhibit “Orbital vanitas” as you have to be 13 to see it and Kramstable was too young, so I’m going to have to go back to see that by myself. Actually, I want to go and see the whole thing again, take my time and absorb it more fully.

The 20th Century Tasmanian gallery is always one of my favourites and something different catches my eye every time I’m in there. This time it was the Hydro-Electric Department poster, which was fitting because of our recent visit to Lake Pedder and the Gordon Dam (more posts on that are coming).

20180720 TMAG 10 Hydro Electric Department edit

The Hydro-Electric Department

We spent a bit of time at the Antarctic exhibit and I learned something in the currency exhibit: In 1966 when Australia introduced decimal currency there was no $5 note. That didn’t come until 1967.

I always enjoy visiting TMAG and am glad we have such a great space in our city.